September 19, 2012. Three days from the fall
equinox. I'm just home from a drive to Jokers Hill with Kelley Aitken. We
walked for an hour and a half, chilly at first, under a cloudy sky. I think
fall is here. The rich greens of summer have faded and the place shows a
different palette.
We pulled our jackets round us against a strong and
blustery wind and I felt the city blowing out of my head. As we walked the
cloud began to break up into huge, fast-moving cumulous bundles, the sky around
and between them a brilliant clear blue.
It rained heavily last night, cleaning the air and
making the edges of things crisp and defined. The land at KSR rises and falls, the
road we walked curved past fields now a mix of beiges, golds, purples, often
edged with greens.
I wonder at what point of colour the season shifts?
There’s a time, often in late August, when the greens go flat, all shine and
glossiness gone. Is that the real beginning of fall, the equinox just a symbolic
marker we’ve claimed for it?
Kelley and I walked mostly through the open areas,
following the road past the lab and around by the pond and climate change research
plots. The wind, space, and sky were exhilarating. Where the road became grassy
the grass was wet from the night’s rain. Before long our feet were squelching
in our non-waterproof hiking shoes, but it didn’t matter—the pleasure of moving
through crisp air and wind compensated for wet feet.
We talked about place and writing, about painting,
about time management, about the challenges of getting to what one really wants
to do. What a wonderful place to paint! said
visual artist and writer Kelley. I add, also a wonderful place to take
photographs, or to sit and stare at things from one of the white chairs that
composed themselves as a still life on the raft by the pond.
The pond, edged with reeds, shone the clouds back
at themselves, and at us. I love that momentary disorientation of the world reflected
in water one looks down at—for a few moments “as above so below” becomes a
literal statement.
We ended our walk following a path uphill into the
woods from the edge of one of the fields—a path I was pleased to discover did join the one Peter and I walked in
August. In fact, it was the path where I took the photo of the wooden fence posts. It led us back to the driveway and then the car park by the barn. I am
not known for my sense of direction or orienteering skills, but I begin to have
a sense of the shape of the Reserve. Or some part of it.
Once again I didn’t take field notes… but I did
write the bones of this post when I got home.
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